Poet Jane Hirshfield said "... the feeling I have about poem-writing (is) that it is always an exploration, of discovering something I didn't already know.  Who I am shifts from moment to moment, year to year.  What I can perceive does as well.  A new poem peers into mystery, into whatever lies just beyond the edge of knowable ground."

I bring a different poem to the writing classes each week, not only to inspire but to introduce new poets to the group members.

Wait by Galway Kinnell

Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.

Wait.
Don't go too early.
You're tired. But everyone's tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear
the flute of your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.

~ from Mortal Acts, Mortal Words (Mariner Books, 1980)


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